Then, sharpening the stick once again, he adds more detail to the eyes and ear. With the flat side of the stick, he blocks in the tonal areas on the hair. The artist fills the eye socket with tone places the shadow beneath the nose: fills the upper tip with shadow and indicates the deep shadow beneath the lower lip. The tone on the slanted side of the nose is rendered with slanted lines. Notice how the strokes change direction as they move downward from the brow to the cheek to the jaw, following the direction of the form. The rectangular stick of hard pastel is still fairly sharp, and so now the artist blocks in the tonal areas with clusters of parallel strokes. But the line can be easily redrawn in the next step. On the hard surface of the paper, chalk sometimes smudges or even disappears this has happened to the line of the jaw just to the left of the mouth. He squares up the corner of the jaw and then moves upward to draw the internal detail of the ear. The artist adds a curve just above the chin to define the bony shape. Now you see the familiar wingtike shape of the upper lip. He draws the slender eyelids and constructs the blocky end of the nose-with the one nostril wing that shows in this three-quarter view. Erasing the guidelines of Step I, the artist begins to define the features more precisely. Please tag on Instagram and show me your artwork.Step 3. I hope the information about my process is useful and youĬan use it as a starting point on your way to creating incredible drawings in More that you draw the better you will get. The most important thing that you can do is practice, the Tiger, this is just the basics to get you started when using charcoal to draw Remember this is not a complete guide to drawing every On some proper fixative spray to make sure the quality of your drawing lastsĮspecially if you intend to sell or exhibit your work. It is not very archival and can lead to yellowing of your drawing. Hairspray can be used as a cheap alternative but Pastel fixative spray to protect them from smudging. Finishing the drawingĭrawings and not just tigers, I always finish my pieces by fixing them with a Same direction and are all essential straight lines all the same length, theĭrawing tends to appear quite cartoonish and flat, it loses a lot of the depth Using the charcoal pencil or the eraser you should always vary the directionĪnd length of the marks that you are making. Blocking inīlocking in the basic shapes and rough structure of the tiger.Ĭharcoal, making sure to press very lightly.įor this step using a combination of brushes and a sock filled with rice to Variation and therefore more interest to my drawings.īetter judge the values so that I can place darker darks, and highlights toĬreate a more dramatic drawing. Toned but I much prefer to work on white paper that I tone myself. To tone the surface with a faint layer of charcoal that can be added to with more charcoal or removed with an eraser.To roughly block in areas where there will be shadows, highlights and mid tones.Layer of charcoal powder applied loosely over the paper. Personally when I start my tiger drawings I begin with a The benefit of charcoal is that it is a very forgiving medium.Īs long as you don’t press too hard and there aren’t too many layers it is relatively easy to erase the charcoal from the surface. Toning your paperĬharcoal is a very dusty medium so make sure you use it in a well ventilated space. So this should be solely used for sketching and practicing rather than for pieces that you intend to sell or exhibit. It is a very thin paper which means it can tear and buckle under pressure. It is cheap, and comes in a variety of sizes. At these beginning stages you are not looking for high qualityĪrchival papers you are just looking to practice, and get a feel for theĪ good paper to use at this stage is newsprint. I strongly recommend using a paper with more tooth when you are starting out with charcoal drawings as it is much easier to work with and produce high quality finished results.įor beginners any dedicated charcoal paper from any brand is As the name suggests it is a very smooth paper. I actually use a Smooth Bristol board for my pieces. Harder you press the darker the mark and the harder it is to erase. To stick to the surface as you apply pressure with the charcoal stick. This is because the grain of the paper allows the charcoal Charcoal works the best on a very fine toothed / fine grain The first thing to consider when drawing with charcoal is
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